Chipo Moyo not her real name was ready to give birth. Over the past eight months she had followed all the advice of her midwife and was booked to deliver in a Harare clinic. But when she arrived, already in labor, the clinic doors were locked. Passersby explained that the nurses were on strike. As her contractions came more quickly, Chipo and her husband took public transport to a hospital where she finally delivered.

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Mozambique's government on Monday denounced gruesome video footage of men in army uniform beating and executing a naked woman suspected of being an insurgent. The video, circulated on social media earlier on Monday, shows what appears to be government troops shouting and marching behind a woman stripped of her clothing. The men hit the victim several times with sticks before shooting her dead on the side of a road with Kalashnikovs. Mozambique's defence ministry later condemned the "horrifying" images and called for an investigation to "ascertain their authenticity". Several other videos allegedly showing soldiers abusing captives believed to be linked to al-Shabab were leaked to Amnesty International in May. The watchdog has since accused Mozambican security forces of torturing suspected militants in the northern Cabo Delgado region, where the insurgency operates.


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Traverser les espaces ruraux-urbains. It shows how this power is continuously being transformed in the modern political landscape. Female riots, protests and demonstrations have been recorded in certain societies in Cameroon and elsewhere in Africa but this paper looks at the Takumbeng traditional female society and its politicisation in the context of multiparty politics and democratisation. In this paper, the transformation of the group is examined against the backdrop of collective agitation and how it impacted on the political scene marked by an atmosphere of disenchantment with the highhandedness and undemocratic policies of the national government in place. It concludes that the group enhanced the continuing struggle for democratic deepening through a legacy of resistance, restoring the flame of social democracy, raising political consciousness in the Northwest Province of Cameroon, a bastion of the Social Democratic Front opposition party.




In the early 20th century, African artworks were being brought to Paris as a consequence of the expansion of the French empire into Sub-Saharan Africa. The press was abuzz with exaggerated stories of cannibalism and exotic tales about the African kingdom of Dahomey. It was perhaps due to this climate that Picasso and other artists began looking towards African art for inspiration. Picasso's interest in African art was sparked partly by Henri Matisse who showed him a wooden Kongo-Vili figurine. Although many modern art curators have attempted to match individual African masks with the faces of these figures on the right side of the painting, the African masks used in these examples have not always been accurate, and the artist took ideas from multiple works.